Rebecca Arthur

 

Member profile details

First name
Rebecca
Last name
Arthur
City
Corvallis
State
OR
Oregonpotters.org Email Address
 

Art Work Description

Art Work Example #1
Art Work Example #2
Art Work Example #3
Firing Methods
  • Electric
  • Raku
  • Mid-Range
  • Low-Fire
  • Smoke/Pit
  • Sagger
  • Fumed
Types of Clay Used
  • Stoneware
  • Porcelain
Forming Methods and Techniques
  • Wheel Thrown
  • Slabs
  • Hand Built
  • Coil
Finishing Methods and Techniques
  • Underglazes
  • Raw
  • Terra sigillata
  • Oxides
Forms Types
  • Vessel
Artwork Description
  • Non-Functional
  • Tiles
  • Vessel
  • Abstract
  • Modern
Artist Statement
While pursuing an art degree in interior design with a concentration in history of furniture at San Jose State University, I had the opportunity to explore many media: wood furniture making, ceramics, textiles, painting, sculpture, printmaking and photography. I realized there were too many ideas to explore in one lifetime. Also, I became fascinated by the work of Georgia O’Keeffe and the concept of abstract realism.

After earning my degree and working in architecture, I became a furniture maker. I incorporated O'Keeffe's motto "Simplify, Eliminate, Emphasize" as the theme in my work, creating bold, minimalistic forms. Then I discovered clay. The clay vessels became my three-dimensional canvasses – abstract, sensuous and tactile.

My work is hand built, wheel thrown or a combination of both. I concentrate on low-fire techniques such as raku and pit firing. Raku firing is done quickly, reaching the desired temperature in under an hour. The white-hot pieces are then pulled from the kiln and rapidly cooled in open air, submerged in water, or smoked in combustible material. Pit firing is a wood fired technique where I am able to “paint” the pieces with fire and smoke. In both methods, the results vary widely. I delight in the random, ethereal, almost surreal results. Zao Wou-ki, the Chinese/French abstract painter, captured this feeling when he spoke of how to represent the wind, how to paint emptiness or the silence of space.

Recently, the swirling images of cosmic play as seen in optical space telescope photos have fascinated me. I am exploring this cosmic play to create abstract, boldly textured vessels that accentuate the movement of light reflecting from the textured edges and give a feeling of the colors, swirling patterns and depth of the universe.

I live in Corvallis, Oregon, nestled against the Coast Range Mountains in the beautiful Willamette Valley. My abstract exploration includes three dimensionally working with clay and two dimensionally painting with watercolor.

I am delighted to share my always evolving, always inspiring journey with you.
Biography
BS Interior Design with a Concentration in History of Furniture, San Jose State University, San Jose, California
BS Mechanical Engineering, Oregon State University, Corvallis, Oregon
Raku Firing Workshop, Clay Art Center, with Dave and Boni Deal, 2012.
Alternative Firing, Obvara and Raw Raku, La Meridiana, Tuscany, Italy, with Marcia Selsor and Pietro Maddalena, 2014.
Alternative Firing Methods, “Fast Fire Pottree”, Sierra Nevada College, Incline Village, Nevada, with Don Ellis and Randy Brodnax, 2015.
 

Clay Educators

Name of Institution or Studio
n/a

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