UPCOMING EVENTS

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• OPA Board Meeting

  • When
    Tue, July 06, 2021
  •  
    7:00 PM (PDT)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

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• OPA Board Meeting

  • When
    Tue, August 03, 2021
  •  
    7:00 PM (PDT)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• OPA Board Meeting

  • When
    Tue, September 07, 2021
  •  
    7:00 PM (PDT)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• OPA Board Meeting

  • When
    Tue, October 05, 2021
  •  
    7:00 PM (PDT)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• OPA Board Meeting

  • When
    Tue, November 09, 2021
  •  
    7:00 PM (PST)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

  Show details
• OPA Board Meeting

  • When
    Tue, December 07, 2021
  •  
    7:00 PM (PST)
  • Location
    Zoom Link in Description

  Join us for our virtual meeting! 

  Topic: OPA | Board Meeting Room
  
  Join Zoom Meeting
  https://zoom.us/j/92446141847
  
  Meeting ID: 924 4614 1847
  Dial in number: 253 215 8782

  
  

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• Pre-Recorded Online Demonstration: Pinch, Pull and Push Your Cat: Simple Sculpting with Carrie Kitzke of Studio Mimmi Ceramics

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/10/2021. Run time is 1:38:43. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.
  
  

  
  

  Learn how to sculpt a cat with Carrie Kitzke of Studio Mimmi Ceramics. In this 1.5 hour workshop you will learn the foundations of pinching/pulling a form. This workshop will guide you through the steps of creating a cat and how to make simple a simple push mold for ladybugs and mushrooms. We'll discuss the merits of solid sculpting and how it can help create uniform work. Carrie will demonstrate techniques learned from hand sculpting over 1,000 clay kitties. She has taught this sculpting method to both kids and adults, its great for beginners or experienced ceramicists looking for something new. The techniques in this class are transferable to Sculpey so participants don't need a kiln to participate. 

  Younger kids should work with an adult and might only be interested in the “kitty making” which will be the first 45 mins and then we’ll focus on push molds for the second half. 

  You Will Learn:

  1. Learn how to sculpt a cat.

  2. Learn how to make small push molds and add cute details

  3. Learn skills that are transferable to oven-bake or air dry clay
     
     

  Materials Needed:

  • Clay (a 4 oz ball and some extra) OR an oven bake clay alternative like Sculpey (2 oz package for one cat, plus extra for details) 

  • Needle tool (or a tooth pick)

  • Sponge

  • Water

  • Scratching/scoring tool 

  • Slip 

    Note: if you're using Sculpey you only need two 2oz packages and a needle tool or tooth pick. Rubbing alcohol can be used to smooth unbaked Sculpey. 

  Show details
• Pre-Recorded Online Demonstration: Make a Pitcher with Suay Ceramics

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/5/2021. Run time is 01:31:28. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.
  

  
  

  Clay is an amazing material with a unique balance of rigidity and malleability. Join Samuel Newman of Suay Ceramics to explore the challenge of capturing the softness of clay in the form of a pitcher. We will focus on the technical elements of throwing a pitcher, forming and altering your rim, and fitting a handle to your form!

  
  

  You will learn:

  1. How to throw and alter a Suay Ceramics Pitcher

  2. How to pull, cut and form a pitcher spout

  3. How to design and attach your Pitcher Handle

  
  

  Suggested Materials:

  Internet Connection

  Clay Journal 

  Show details
• Pre-Recorded Online Demonstration: Press Mold Magic: A Beginner's Guide to One-Piece Plaster Mold Making for Sculpture & Beyond with Kendall Jones

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/19/2021. Run time is 01:30:52. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  A simple one-piece plaster push mold can help you create sculptural pieces efficiently and each piece can still be unique! Get over your fear of plaster and fall in love with the possibilities of quickly replicating your original sculptures which you have spent hours refining. From your detailed original, learn to make a basic plaster mold with readily available materials. I will show you how I use molds of my original sculpts of human and animal faces to create one-of-a-kind pieces. This is NOT an advanced mold-making course demonstrating two-part molds for slip-casting, but rather a class meant to show the versatility of simple press molds.

  This class is best to first attend and watch, then attempt. When you are ready to attempt, here are the materials you will need:

  Supplies (not necessary for class time, but needed in order to try the project on your own)

  • a small sculpture in wet greenware, (less than leatherhard) and prepped to prevent undercuts
  • cottle boards, old plastic yogurt containers or paper cups to use as mold frame (depends on size of original)
  • A surface to make the mold on (a granite or marble tile or counter or a melamine tray are first choices)
  • fresh potters plaster (store in a sealed plastic container)
  • Measuring cup
  • postal scale (maybe optional)
  • old mixing bowl (or from the dollar store)
  • old mixing utensil or hand
  • wet clay (for mold set up and casting)
  • water
  • wood and metal modeling tools
  • clean up implements: rags, paper towels
  • Vaseline or Murphy's soap

  Objectives:

  1) Learn to prepare an original piece of wet greenware for a one-piece mold and set up your mold frame

  2) Learn to mix plaster, pour, and refine your mold for casting

  3) See how I cast my molds and applications in which I use my castings

  
  

  

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• Pre-Recorded Online Demonstration: Making a Collage Plate Out of Thin Slabs of Clay with Stephanie Burton

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 5/26/2021. Run time is 01:47:06. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  My collage plates are reminiscent of a mixed media collage, however, we will be using clay! With a combination of hand-carved stamps and various other textures from my stamp collection, we will be creating a collage plate using a menagerie of different textures. I enjoy pairing a glossy glaze next to a matte glaze to add some additional interest!

  
  

  You Will Learn:

  • Good craftmanship using slab construction and multiple hand building techniques
  • A new arsenal of tools & methods
  • About brushing glazes and a few glaze design aesthetics

  
  

  Materials Needed:

  • large clay slab
  • small or large bisque plate form
  • work surface (I use 2.5x2.5 drywall from home depot/lowes (precut)
  • two smaller boards (larger than your bisque plate form)
  • assortment of stamps (large & small)
  • large & small cookie cutters with a scalloped edge
  • rolling pin
  • ruler
  • large & small brush
  • squeegee or a soft Sherrill Mudtools
  • exacto knife
  • corn starch
  • thin plastic
  • water
  • serrated tracing wheel (optional)
    
    

  

  
  

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• Pre-Recorded Online Demonstration: Illustrative Pots - A Deep Dive in Surface Exploration with Jessica Faulk

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/17/2021. Run time is 01:05:23. 

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  In this workshop we will explore a number of ceramic surface decoration techniques: fine line carving, sgraffito, craft foam stamps and mishima. Jess will be doing a step-by-step demo of how she achieves her fine carved lines employing the use of underglazes and tinted glazes with a likeness to wash watercolor. 

  You Will Learn:

  1. A broader knowledge of technical surface approaches

  2. How to most easily execute the techniques
  3. Aesthetic choices for future ceramic projects.

  Materials Needed:

  • Leather hard pots or slabs (to use as canvases for surface exploration)

  • Any or all: a needle tool, Craft knife (x-acto or other), Kemper WS wire Stylus (https://www.baileypottery.com/c-090-ws.html)

  • Small sponge

  • Preferred underglazes (Jess likes AMACO velvet underglazes)

  • Paint Brushes (Jess prefers watercolor brushes because they hold more material)

  • Wax resist

  Show details
• Pre-Recorded Online Demonstration: How to Make a Copper Repoussé for Clay with Michael Simmons

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/24/2021. Run time is 00:38:06.

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  
  

  Participants will watch how Michael sets a preliminary contour line drawing onto a flat sheet of copper, how to tape down the picture and place a piece of foam under the copper to allow indentation or embossing lines by the drawing stylus instrument. Michael will then show participants how to permanently attach the finished copper repoussé to a circular object. Michael will also show and explain how to press a copper repoussé salmon onto a flat slab of clay.

  You Will Learn:

  1. Showing how to produce an expressive permanent copper repoussé object of your choice and attach it permanently to a hard circular roll

  2. The experience of using new materials for participants to create a new and different way to manipulate clay

  3. This created copper repoussé device will make for less time to create many new images, both single use, multiple use, and use it compositionally

  Materials Needed:

  • One rolled out slab of clay

  • One or two Copper tooling sheets 12” wide by 9” inches, 30 or 36 gauge thickness. Check local art stores for copper tooling sheets, or order # 0401500(A)A191 at $31.45 each through NASCO Education catalog, 1 800 558 9595

  • 1 wooden board to go under the copper tooling sheet.

  • One sheet of felt to go between the Copper tooling sheet and the wooden board, to be able to indent and make the copper tooling sheet take the indentation of the stylus tool to create the grooved lines.

  • Stylus tools: 1 chinese chopstick, barely sharpened and rounded end, 1 quarter inch wooden dowel, barely sharpened with a rounded end, and 1 thicker primary pencil with rounded end – these will be used to press into the taped paper drawing and Copper tooling sheet underneath

  • Tube of "Liquid Nails" smaller tube (or) caulking tube of "Liquid Nails" and one inch putty knife to spread it around

  • Thick, round, 10" inch to 12" diameter cardboard hollow tube that you can get at Home Depot, and saw/cut off a 10" to 12" length for this project

  • 1"inch wide blue painter's masking tape or 1" inch wide regular masking tape

  • Create a sketch of one of your favorite icons, symbols, animal head, or body, fluer de le, flower, or one of your existing designs that you have created in the past for your pottery making. Reduce your contour line drawing to just a few important lines, bare bones sketch. Keep your drawing to about 10” inches by eight” inches so the pressed repose’ design stays up to two inches away from the 12” inch outside edges of the Copper plate

  • Optional: Have a Slab of clay already rolled out that is a little wider than your 10” inch X 8” inch drawing on paper, and place a plastic sheet over the slab of clay till Michael demonstrates how to roll the thick round cardboard hollow roll over his copper tooling repoussé 
    
    You may experiment with your stylus and Copper tooling sheet before my class starts if you can get the supplies ready beforehand.

  
  

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• Pre-Recorded Online Demonstration: Learn How to Make a Robot Monster with Metal Parts with James DeRosso

  • When
    Fri, December 31, 2021
  •  
    12:00 AM (PST)
  • Location
    Online, Link will be Emailed

  Register

  This is a video recording of a demonstration which took place on 3/31/2021. Run time is 01:58:51.

  A link to the cloud-based video recording will be sent in the payment confirmation email.

  This listing is for personal use only and will expire on 12/31/21. For non-personal use & licensing questions, please contac t president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  This is a workshop demonstrating how to create a robot monster that includes added metal parts. James will show how he works through the initial creative process of designing and sketching a monster that incorporates found metal objects. He'll show his slab and sculptural techniques for building a vessel and also demonstrate specific monster making skills. This workshop will explain how to calculate the fitting of metal parts with consideration of clay shrinkage and also how to adhere those parts after the firings.

  You Will Learn:

  1. Learn design and sketching techniques

  2. Learn slap and sculptural clay building techniques

  3. Learn techniques for combining metal parts, including calculating clay shrinkage and adhesives

  Materials Needed:

  • Clay - James uses Timberline Sculptural, cone 6, and White Salmon with grog, cone 6

  • Clay sculpting tools
    

  • Clay slicing wire tool or fishing line

  • Ruler or tape measure

  • Water dish with clay added to make slip

  • Ware boards or a porous work surface - James uses Hardie-Boards the size of my table tops

  • Sketch pad and pencil

  • Found metal objects such as engine gears, faucet handles, camera lenses...

  • Two-part epoxy - James uses PC-7 because it's black

    
    

  Show details
• Pre-Recorded Online Demonstration: Can You Handle It? with Samuel Newman

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 8th, 2020. Run time is 2:00:22. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  Handles are like chess, simple to learn but difficult to master. An intentional handle can really elevate the most basic form. Come join me in this 2 hour hands-on workshop as I demonstrate and articulate my view points on what makes a successful handle. We'll primarily focus on pulling a handle off of the mug with an emphasis on harmony and function. 

  You Will Learn:
  

  1. How to pull a handle off the mug.
     
  2. Why handles need more attention than the actual vessel.
     
  3. How to find balance and harmony through your handle on a difficult form.

  Suggested for Workshop:
  

  • Leather hard mug
    
  • Wedged ball of clay - 1 lb
    
  • Scoring tool
    
  • Sponge
    
  • Water
    
  • Clay Journal for notes

  
  

  
  

  Show details
• Pre-Recorded Online Demonstration: Making a Lidded Jar for an Atmospheric Firing with Chris Baskin

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 8th, 2020. Run time is 1:01:11. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In this workshop I’ll share my passion for forming pieces for atmospheric kilns. Showing some of my favorite clay forming techniques, (coil and throw additions, faceting, and cutting feet), I'll demonstrate a technique I’ve personalized for making a lidded jar.

  Interwoven with the forming of clay is the birth and life of ideas, creation of personal meaning, of community and world.  As an artist/potter I work and play with these concerns using tools of metaphor, analogy, and critical thought.

  How do we move work and ideas forward?  What touchstones provide insight and perspective for ceramic artists?  How do we connect deeply to both the larger human story, and our contemporary context.  I’ll share how histories, myths, and traditions all inform and root my personal studio practice and fill a reservoir from which to draw.

  You Will Learn:
  

  1. Technique to make an enclosed form become a lidded jar on a potters wheel.
  2. How to fit slips to clays and utilize crackle slips for bisque and green-ware.
  3. Ways for listening to, learning from and moving forward with your work.
     
     

  
  

  
  

  Show details
• Pre-Recorded Online Demonstration: Monster Making with James DeRosso

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on September 9th, 2020. Run time is 2:02:45. 

  This class is discounted due to some issues with the audio in the first ~4 minutes of the recording, due to some attendees not being muted.

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In less than two hours you will create your own clay monster. The tools and techniques are very basic and the workshop is suitable for kids and adults. Detailed instruction and demonstration will be given to guide you through the entire process of making your own original creature of disgust. Instruction will also be given on how to stain and glaze, or how to use paints to add a wash and colors.

  You will learn:

  Participants will learn expert monster making techniques, along with basics in forming and joining clay parts. Instruction will also be given in figurative sculpting and posturing to express personality and emotion. There will be detailed demonstrations of texturing and monster appendage making.

  Materials needed:

  • ceramic clay - White Salmon with grog or a low-fire white clay body
  • air-dry clay if not firing in a kiln
  • 2 chopsticks (1 that is round at both ends, 1 that has a square end)
  • 2 round toothpicks
  • small water dish
  • small work board - hardy-backer/mason board, or wood, or a porous type surface
  • ceramic stain - iron oxide or a mix of iron and copper oxide
  • ceramic underglaze - "Duncan Concepts" - red, green, blue, yellow, black, white
  • acrylic paints if using non-fire clay
  • small paint brushes

  Show details
• Pre-Recorded Online Demonstration: How to Throw a Squared Lidded Jar with a Round Lid with Patrick Horsley

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on September 23rd, 2020. Run time is 1:46:40. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  I will demo the throwing and altering of a tall cylinder. The throwing of a round lid and flange to attach to the squared cylinder and its sizing .The extrudes of parts for applied feet and attaching. The throwing of a knob and its manipulation. A discussion about clay, slips and the final glaze treatment.

  You will learn:

  The ease to discover and expand simple thrown shapes into more complcated shapes. The use of dies and extrudes to make editions to your work. The idea of engineering and planning to broaden your view of what can be made as a potter.
  
  

  Materials needed:

  A notebook for taking notes and drawing ideas, and slip glaze info

  Show details
• Pre-Recorded Online Demonstration: Making Sauerkraut Crocks with Dwayne Sackey

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on October 7th, 2020. Run time is 1:21:47. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  During the demo I walk the participants through the different components and throwing processes involved in making a sauerkraut crock for fermenting cabbage. The participants will learn to make the vessel along with the lid and knob as well as ceramic weights.
  
  

  Materials needed:

  A notebook and pen

  Show details
• Pre-Recorded Online Demonstration: Intro to Image Transfer through Decal Application with Alicia Craft

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on October 14th, 2020. Run time is 2:05:57. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  

  Decal application is a fresh and exciting way to transfer images onto clay. The options are limitless - both commercially made and individually produced decals can provide a range of colors, photographic likenesses, and detailed imagery.
  

  In this course, Alicia Craft will introduce the fundamentals of ceramic decals: appropriate application, tips to avoid transfer issues, firing work, and problem solving. Alicia will also discuss how she creates the decals she uses within her own work, altering and adjusting imagery for crisp transfers. *Please note, this course will not go in depth on Photoshop or other image editing software which is largely outside of the scope of the allotted time.
  

  
  You will learn:
  

  1) The variety of decals available to the ceramic artist 
  2) Decal application and problem solving
  3) Firing variables, potential defects, and testing
  

  
  Materials needed:
  No materials are required to learn about the decal application process. However, if participants would like to apply decals alongside the workshop demonstration:
  

  • Fully fired ceramic item- glazed or unglazed (no bisqueware)
  • Pre-made ceramic decals
  • Container with clean water
  • Clean sponge

  Show details
• Pre-Recorded Online Demonstration: Pierced Vessel with Amy Fields

  • When
    Fri, December 31, 2021
  •  
    (PST)
  • Location
    Online, Link Will Be Emailed Immediately Upon Purchase

  Register

  This is a video recording of a demonstration which took place on July 29th, 2020. Run time is 1:50:24. 

  A link to the cloud-based video recording will be sent in the payment confirmation email. The video link will expire on 12/31/2021.

  This listing is for personal use only. For non-personal use & licensing questions, please contact president@oregonpotters.org.

  Final sale, no refunds permitted.

  
  

  In this workshop Amy will demonstrate her process in creating a pierced vessel. Amy's vessels begin on the wheel and are pierced just after trimming. Amy will discuss various tools used in the cut out process and ideal stages of dryness of the pot as it is carved. She will also go over cleaning the burrs after piercing.

  You Will Learn:

  1. Ideal stage of dryness of the vessel to pierce.
  2. Tools and techniques for creating an evenly spaced pierced vessel.
  3. Cleaning rough edges before firing.

  Materials Needed:
  

  • A small thin vessel, something that might hold approximately 8oz.
  • Hole and/or shape cutters.
  • Water and a small smooth sponge.

  Show details